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‘I Married a Witch’ (1942): Corrupting the Motion Picture Production Code -
‘The Palm Beach Story’ From 1942: Discovering the Non-Code Era -
‘The Model and the Marriage Broker’ From 1951: Hitching for Happiness -
In Defense of Hollywood’s Old Code: Debunking the Common Myths -
Hollywood’s Old Code Is Better Than the New Code -
Sisters, Mothers, and More: Feminine Familial Roles in Classic Films -
‘Housewife’ from 1934: A Pre-Code Holdover -
Book Review: ‘Hollywood’s Censor: Joseph I. Breen & The Production Code Administration’ -
‘The Elephant Song:’ Breening a Modern Play -
‘A Christmas Carol’ (1938): A Classic Take on a Timeless Story -
‘Waterloo Bridge’ (1940): The Power of Subtlety -
To Breen or Not to Breen: ‘A Streetcar Named Desire’ From 1951 -
Why ‘Dobbs vs. Jackson’ Gives Me Hope for Hollywood -
‘Star Wars’ vs ‘See No Evil’: The Code, The Chosen One, and Hollywood’s Fall to the Dark Side