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‘Wild Horse Nine’: John Malkovich Leads a Brilliant Ensemble Cast
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Not New, but New on Streaming in November
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Patrick Stewart: An Appreciation
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November Previews: Award Hopefuls and Crowd Pleasers
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‘You Can See Everything’: This Is Not a Documentary
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‘A Talent for Murder’: Tom Ripley Is Back (Sort Of)
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Not New, But New on Streaming in October
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‘The Social Reckoning’: The Sequel to ‘The Social Network’ Is Pretty Good
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‘Animals’: Ben Affleck’s Sixth Movie as a Director Is Among His Best
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‘Your Attention Please’: Anger Against Social Media Finally Boils Over
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‘Verity’: Another ‘Housemaid’ Movie with Uneven Results
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AI in the Movies: It Was Right in Front of Us
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‘Primetime’: Is Chris Hansen a Do-gooder or Manipulative Opportunist?
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October Previews: Awards Season Kicks Into High Gear
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Top 5 Movie Remakes: Are They Better Than the Originals?
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‘Unabomber’: Getting Inside the Head of a Madman as a Young Man
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‘Last Train to Fortune’: Big Laughs in This Period Western
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‘The Uprising’: The Second Action ‘Twin Film’ Within Four Months
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Not New, but New on Netflix Picks for September
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‘Mayday’: The Mismatched Buddy Comedy Returns in Glorious Fashion
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September Previews: Awards Season Has Arrived
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‘The Rivals of Amziah King’: Beekeeping Is Big Business, Honey
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‘Tony’: A Tortured Culinary Genius at the Start of His Career
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‘The Birthday Party’: Excess and Betrayal Among the Idle Rich
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‘The Brink of War’: History Repeated, Kind Of
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Not New, but New on Netflix for August
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‘The Last Picture Shows’: Independent Theaters Are Down But Not Out
