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‘Agreement’: Dramatizes the Days Leading Up to the Belfast Agreement
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Simple Staging Serves ‘Uncle Vanya’
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Mikel Murfi’s ‘I Hear You and Rejoice’
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Mikel Murfi’s ‘The Man in the Woman’s Shoes’
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Theater Review: ‘The Mikel Murfi Trilogy’
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‘Mushrooms’ at the Fountain House Gallery
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Theater Review: ‘A Child’s Christmas in Wales’: Dylan Thomas’s Nostalgic Return to Childhood
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Theater Review: ‘The Music Man’: Middle America in Song and Dance
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Theater Review: ‘Autumn Royal’: The Caretakers’ Dilemma
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Icons of Music: Andras Schiff, a Towering Man of Music
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Online-Theater Review: ‘The Aran Islands: A Performance on Screen’
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Online Theater Review: ‘Meet Me in St. Louis’: A Holiday Special in Song and on Screen
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A Golden Flute, A Golden Talent: James Galway
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Martha Argerich: Golden-Toned Mistress of the Piano
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Albums of Distinction: ‘Jascha Heifetz: The Supreme’
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The Homebound Project: Theater People Act to Help Feed Our Kids
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Theater Review: ‘One Man, Two Guvnors’: A Farce Beyond Funny
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Theater Review: ‘Unknown Soldier’: Generations and Mysteries Unfold
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Theater Review: ‘Lady G: Plays and Whisperings of Lady Gregory’
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Theater Reviews: ‘Chekhov/Tolstoy Love Stories’: Adaptations From Two Russian Greats
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Theater Review: ‘The Scourge’
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Theater Review: ‘Judgment Day’: A Collision Between Guilt and Innocence
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Theater Review: ‘42 FT: A Menagerie of Mechanical Marvel’
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Theater Review: ‘Seared’: A Literal Taste Test
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Theater Review: ‘The Wrong Man’
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Theater Review: ‘Katsura Sunshine’s Rakugo’
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Theater Review: ‘Kingfishers Catch Fire’
